During my two-week séjour in
June, I honestly wish I’d taken cabs a little more often in Paris. Why? There’s
nothing like being chauffeured in the City of Light, a splendid panorama of
monuments and pageantry through a car window. After leaving William’s
apartment, the energy was palpable as we crossed the Pont du Carrousel from the
Rive Droite to storied Saint Germain-des-Prés on the Rive Gauche, the towers of
Notre Dame glowing in the now misty night while teenybopper Selena Gomez’s “I
Love You Like A Love Song” gave the car itself a pulse. (Along with ‘Call Me
Maybe’, this girly track is very popular in France.) This is how one lives in
Paris, it occurred to me, forever passing between the ancient and the popular
present.
I felt an adrenaline rush looking out across the glistening midnight
Seine: I was in one of the greatest cities in the world, going to an intimate
party populated by Parisians I didn’t know but who apparently knew of me
through my friend-of-a-friend, another dimension of life to be discovered in
mere minutes. Add this to being coincé
in the backseat next to two beautiful men, practically perfuming the air with
their fluid French: Pinch me please.
Hommes en noir |
Exiting a glass elevator, I was thrust through the door of a palatial
apartment in the heart of Saint Germain-des-Prés, puckering up to a succession
of cheeks and dodging cindery Marlboroughs as they fluttered through the air,
loosely wedged between impeccably manicured fingers. The intimidation factor
was high as rapidly fluent French poured from every mouth but my own. The time
had come: If I wanted to be taken seriously, I needed to start speaking. It was
a somewhat surreal sensation in the first place, listening to American rap on
the stereo against the one of the most aurally delicate languages on Earth.
Mostly an assemblage of buyers, merchandisers and PR people for LVMH brands and other designers, everyone was awash in black and white on the salon sofa. I half-expected to find a New York Times journalist to profile the set-up, but no: just another Friday night pre-game on the Rive Gauche. I realized I didn’t feel like I was on vacation any longer; this was all spontaneous and informal enough to be real life.
Mostly an assemblage of buyers, merchandisers and PR people for LVMH brands and other designers, everyone was awash in black and white on the salon sofa. I half-expected to find a New York Times journalist to profile the set-up, but no: just another Friday night pre-game on the Rive Gauche. I realized I didn’t feel like I was on vacation any longer; this was all spontaneous and informal enough to be real life.
The evening continued at none other than Silencio (can I call myself a
regular yet?). Rotating between the fumor
(smoking room), the glistening copper-toned bar, and the dancefloor – much more
crowded this time – I spent the next hour welcoming fellow Americans to my
“native city.” I expected that successfully feigning Frenchness would be more
difficult with New Yorkers, but apparently wearing black and side-parting my
hair was enough to prompt them to ask me “what are you drinking” in the worst
high school French. Authentically faking a French accent in English is a small
victory, of course, but dare I call it a rite of passage?
Serious clubs don’t close until 6-8am in Paris – hilarious considering
what an ordeal it is to find a cab after 2h30 – so I woke up, face buried in my
pillow, around 14h30. Believe it or not, this is a relatively proper Parisian
beginning to la Fête nationale. Most
of the French appear to do very little for this holiday, in comparison to
America’s large barbecues, patio parties, sparklers and flags on the Fourth. The
exception is the massive parade on the Champs-Elysées, in which uniformed
representatives from France and its territories all participate. Les pompiers (firemen) are an
interesting breed on Bastille Day. They’re known for getting fabulously
inebriated at various public parties throughout the city. They also like to get
naked.
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On Rue Montorgueil |
Of course, being me, I was ignorant of the grand parades and spent my
afternoon traipsing around William’s neighborhood in the 2nd
arrondissement, which I hadn’t explored during my vacation in June. The streets
around Rue Montorgueil and Rue Etienne-Marcel roughly compose an area called
the Sentier, historically a Jewish textile district. Today, it is Paris’ more
classical answer to New York’s Soho. Most of the city's arrondissements reflect either the traditional, opulent Paris or its bohemian
heritage. But Rue Montorgueil is the height of trendy, a truly

Within two hours of leaving the Etienne-Marcel, I found myself in
another impossibly posh apartment, this time off the Champs-Elysées. But this
place exuded a storied, warm, family ambiance, the glowing parquet worn by
generations of dance parties. There
were two fireplaces – one blocked by a white-tablecloth buffet of wine and
exquisite little snacks – and classic French doors (redundant in this case?)
opening onto a balcony for two. The group was a bunch of twenty-somethings, and
a different crowd old friends of William’s gathered to celebrate the birthday
of a lovely blonde in a black cocktail dress. It could easily have been a scene
out of Le Divorce.
Needless to say, I smiled to myself when I overheard another guest say "Il est mignon" as I was putting on my jacket to leave.